Milanović’s opus mostly consists of depictions of landscapes without people, and although the occasional human figure is captured, it is seemingly secondary in relation to the surrounding environment and seems to be subordinate to nature and a representation of a “small and insignificant” man. However, these photographs do not aim to educate or remind of the ecological disasters caused by the human species, but to separate the depicted place from any imposed narrative and show it by itself in a space and time vacuum without creating a utopia from it.The human presence is felt in the photographs, whether it is through the demolished and abandoned houses in the distance or the beaten road leading to the open space.Everything hints that a man once lived here. Luka manages to take photographs of these places so that even his own presence is almost erased.These photographs are eerily quiet and unbearably introspective, giving them an uncanny atmosphere where the worst is expected (whatever that may be for the individual). Peaceful landscapes hide a dark truth, and a melancholic atmosphere, a gloomy sky, a dazzling foggy light, intertwined thin and icy branches controlled by the wind, the sound of which is eternally captured in that specifically chosen frame and reminds us that we are alone in this world, which does not have to be a negative feeling. They are not pessimistic, but extremely somnambulistic, mystical and symbolic, which makes them interpretable based on the sentiment of the one who observes them at a given moment.